Giiwedin, First Nations opera premieres in Toronto / L’opéra des Premières nations Giiwedin en grande première à Toronto

By unsettledscores / On / In Music, News, Opera

La Scena Musicale, article by Joseph So:

http://videoblog.scena.org/2010/04/giiwedin-first-nations-opera-premieres.html

“Want to experience something a little different from the typical operatic fare?  Native Earth and An Indie(n)Rights Reserve are co-presenting Giiwedin, a First Nations opera…First Nations mezzo Marion Newman plays Noodin-Kwe, a 150 year old native woman fighting for her land…While the music …is baroque in style, the opera contains a myriad of musical genres from classical to jazz. It promises to be a very interesting evening.”

 

For Openers – Variations on a Festive Theme

By unsettledscores / On / In Music, News, Opera

The Wholenote, article by Colin Eatock:

https://www.thewholenote.com/index.php/newsroom/editorialoped/4710-for-openers-variations-on-a-festive-theme

“But one smaller show that has especially caught our eye – and is featured on the front cover of the magazine this month – is Giiwedin (“North Wind”) by composer/librettist Spy Dénommé-Welch and composer Catherine Magowan…It looks like a unique operatic experience.”

Giiwedin- Operatic Winds of Change

By unsettledscores / On / In Music, News, Opera

The Wholenote, article by Christopher Hoile:

https://www.thewholenote.com/index.php/newsroom/beatcolumns-sp-2121861476/choral-opera2/4717-giiwedin-operatic-winds-of-change

“A world premiere from an exciting young company. Indie(n) Rights Reserve presents Giiwedin (“The North Wind”), in co-production with the Native Earth Performing Arts Centre. The opera, written in the Anishnaabemowin, French and English languages, tells the story of Noodin-Kwe and her struggle to protect her ancestral land in Northeastern Ontario.”

Magowan launches new First Nations opera Giiwedin

By unsettledscores / On / In Music, News, Opera

OCAD University website:

http://www.ocadu.ca/about_ocad/articles/headlines_archive/20100318_giiwedin.html

“Giiwedin is a First Nations story set in northern Ontario that features traditional First Nations, baroque and modern music. The production is written in the Anishnawbe Mowin, French and English languages, and tells the story of a 150-year old Aboriginal woman fighting for her land.”

Announcing 2010 Schedule of The Music Scene

By unsettledscores / On / In Music, News, Opera

La Scena Musicale, article by Wah Keung:

http://newswire.scena.org/2010/03/announcing-2010-schedule-of-music-scene.html

“The next issue of The Music Scene hits news stands on March 26, 2010 and will have as feature story the making of a new opera, Giiwedin, a co-production of the Native Earth Performing Arts and An Indie(n) Rights Reserve, with a libretto by Algonquin playwright Spy Dénommé-Welch, who also co-composed it with Catherine Magowan. Giiwedin tells the story of Noodin-Kwe, a 150-year old Aboriginal woman, fighting for her land. This opera is unique in that it is the first time Canadian First Nations artists have chosen opera as a medium for their story-telling.”

A Big Year for Opera

By unsettledscores / On / In Music, News, Opera

The Wholenote, article by Christopher Hoile:

https://www.thewholenote.com/index.php/newsroom/beatcolumns-sp-2121861476/choral-opera2/936-a-big-year-for-opera

“April begins with another world premiere, Giiwedin, by Catherine Magowan and Algonquin poet Spy Dénommé-Welch. This, the most ambitious project in the history of Native Earth Performing Arts, is written in Anishnawbe Mowin, French and English and tells the story of a 150-year old Aboriginal woman fighting for her land.”

 

Scene Change

By unsettledscores / On / In Music, News, Opera

Eyeweekly.com, article by Christopher Hoile:

Click Here to View Full Article

“Toronto has become the kind of city where chamber opera can spring up in unexpected places. A glance ahead at this year’s new-opera performances provides ample proof… Native Earth Performing Arts’ 2009-10 playbill includes the opera Giiwedin written by Spy Dénommé-Welch (and composed with Catherine Magowan) in French, English and Anishnawbe.”