Dance-opera Bearing makes art out of residential-school ashes
The Globe and Mail, article by Martha Schabas:
“It’s a work in three parts: The first is set to a Bach motet, the second to music by Québécois composer Claude Vivier and the third to a commissioned score by Anishinaabe co-composer and librettist Spy Denommé-Welch and composer Catherine Magowan.”